multitrack mode is very useful for stacking effects, especially several dynamic effects in a row.įor sample rate, recording wise (so i've heard) precision v samplerate tradeoff is best at 24/48. EQ'ing is also pretty necessary doing it this way, but you'll want to do that anyway to keep it all sounding consistent. ses file that does the multiband compander thing already - just drop in the lightly FFT denoised clip and you'll get a rather transparent extra noise reduction at the cost of losing a bit more signal. i can think of several ways to improve it, but haven't the maths or inclination (or faith enough in these ideas) to implement it clouded: and in the end, i wish there were better tools out there. i've spent way too much time doing this stuff. a little bit is inevitable, but keep it to a minimum).ĭamn. previewing with "keep only noise" on helps you hear if any voice is being wrongly removed (you'll be able to hear raspy speech in the noise. it can also help to have the least amount of reduction in the 1000-3000hz range, as this is where voice likes to hang out.
use it at 100% above 8000 hz or so, and below about 70 Hz - this will kill rumbles and pilot tones very nicely, and if there's any actual signal around it'll pass it through reasonably well. it's buggy, but very useful (it will artefact strangely when you set NR amount for 1 frequency less than 50%, but above 50% it's fine). One thing that's very useful is the little frequency vs NR amount graph. and only run NR once for the same reason.
Soundsoap vs audition 32 bit#
this can be quite marked on big clicks.Īlso do NR on 32 bit float only - it will demolish any 16 bit sources. Do the click/pop first, as the noise reduction will skip over transients and leave a little echo before and after them as well.
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